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The yellow highlights and the reddish edges are probably part of the original antiquing scheme. What I thought was interesting was the footprints of the bridge, part of the varnish that was hidden from light. To a lesser extent, you can see the "shadow" of the tailpiece and some of the chinrest, on the bass, or left, side of the tailpiece. Most likely, this fiddle was far redder when it was new.
Fugitive pigments
ReplyDeleteIndeed, not light-fast.
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