Crac! French-Canadian Norman Rockwell

Crac is a wonderful animated short, made in 1981 by Frederic Back. You can see it here.

There are the obvious woodworking, fiddling, and dancing connections for me and, I suspect, readers of this blog. It also deals with the passage of time, the flow of life, and aging. Grab a mug of your favorite hot beverage and sit back for 15 minutes. I hope you'll enjoy it.

The back and scroll of "sweeping up."

Here's the back of the "1870 Albani Guarnerius", which I think is really nice. It is a little more amber-colored in real life than it is on my computer screen (here), but the flame is lively, something hard to see in a still photo.

Here's the scroll of the "1870 Albani Guarnerius", which shows fine blacking on the chamfer and charming character throughout. The peg-holes have been roughly treated before, and there is a crack off the e-peg-hole. Bushings to be fit! The fingerboard was also glued on off-set, so will have to be reglued or replaced.

Sweeping up

Took the top off a fiddle today, and then used a brush to clean up some of the dust and debris that had accumulated through the f-holes over the years. This one wasn't particularly dirty, and I threw away the little hairball before I thought to take the photo.

Many players express surprise when they find out how much 'stuff' is inside their fiddles. Hair, rosin, and dust is common in normal fiddles. Sometimes if the fiddle has been neglected, you can find a wasp nest -- pretty exciting that can be!

Contempt for their product.

Another in the soundpost series -- an example of why it's not a good idea to simply give a quote for standing a soundpost. This one came out of a violin-shaped object. I had quoted them the price for a new soundpost, because I guessed that I wouldn't want to use what was bouncing around inside. There's something about the way this one was cut symbolizes the contempt with which many of these cheap Chinese vso's are made. Not even an effort at cutting a bevel. One should see smooth bevels that match the inner surface (top and bottom) of the the instrument. This one was simply crimped off, partially, then broken off the rest of the way.

But, hey, they're affordable!

Quickly hewed pegbox

In the shop today, I was setting-up a ca. 1900 factory fiddle, with the usual integral bass-bar and no corner blocks, for a customer. While fitting pegs, I noticed this one had quite a rough gouged bottom to its pegbox as well.

Here's a closer view, at slightly different lighting.

Thought it was an interesting comparison to a more recent factory fiddle with its milled pegbox. Quick work with a gouge vs. quick work with a milling machine.

The blog post on this milled pegbox is here.

Alternate methods of fitting a soundpost.

Consider, if you will, this soundpost removed from a customer's violin. The method of fitting: chew off the end of a stick, build it up with putty, then sand to the appropriate bevel. When inserting in the violin, add a dab of hide glue to the ends.

These are just some of the things they won't teach you in violin-repair courses.

Flashed view of the putty-end soundpost, to show a different contrast.

As interesting as this one was, I replaced it with a more traditional soundpost, one without putty or glue on the ends.

Cheesy Pop Song

Well, I have to brag a little. My son, Roger, had a tune accepted by Rock Band. It's been selling copies, and just got a nice write-up in the Rock Band Network Highlights.

His tune can be seen in his original video, Cheesy Pop Song, on YouTube.

Pretty cool.